Telling the coins apart at a glance
Colour sorts them straight away: the three Guiraud coins are yellow aluminium bronze, the Cochet is white cupronickel. After that, size does the rest. A 10 francs measures 20 mm and weighs 3 g, a 20 francs 23.5 mm and 4 g, a 50 francs 27 mm and 8 g. The 100 francs, at 24 mm and 6 g, has a reeded edge, whereas the Guiraud coins have a plain one.
The Guiraud design is the same on all three: Marianne in profile facing left, a standing cockerel on the other side. Only the denomination and the size change. The engraver's signature can be read behind the head, and on most coins it is shortened to “G. GUIRAUD”.
Some 1950 20 francs, however, are signed “GEORGES GUIRAUD” in full. The Le Franc catalogue treats them as a separate type (F.401), distinct from the “G. GUIRAUD” 20 francs (F.402). Coins with the full signature exist only with the 1950 date.
The Cochet is recognisable by its Marianne facing right, torch in hand, and the sheaf of wheat on the reverse. It kept a single design from 1954 to 1958; the varieties are told apart by the mint letter and the small privy mark below the date.
Paris or Beaumont-le-Roger: the letter B
These coins were struck at two mints. Paris used no letter. Beaumont-le-Roger, a Monnaie de Paris facility in the Eure département, marked its output with a B: below the date on the Guiraud coins, between the olive sprigs on the Cochet.
This B has nothing to do with the one used by the old Rouen mint, which shared the letter in the nineteenth century but stopped striking in 1857, almost a hundred years earlier. A coin from the 1950s marked B always comes from Beaumont-le-Roger. The guide to French mints explains these shared letters.
The split between the two mints varied from year to year, which produces some scarce combinations. The 1954 20 francs was struck only at Beaumont; the 1958 50 francs and the 1955, 1957 and 1958 10 francs only in Paris. Conversely, the 1954 Paris 10 francs had a small mintage, while the same date with a B is common. So always note the date and whether the letter is there before drawing conclusions.
Feathers, privy marks and patterns
The best-known variety concerns the 1950 20 francs. The cockerel's tail has either three or four large sickle-shaped feathers. Le Franc records both versions at Paris and at Beaumont for the “G. GUIRAUD” signature, and at Beaumont for the full signature. The Beaumont “GEORGES GUIRAUD” coin with four feathers is the most sought-after combination. Count the feathers with a magnifier: on a worn coin, the fourth can merge into the rest of the tail.
On the 100 francs, 1958 comes in two forms at Paris. Lucien Bazor, chief engraver until 1958, signed with a bird's wing; his successor Raymond Joly chose an owl. The owl coins are the most sought after. Le Franc also separates two varieties in 1955, though the sources consulted do not clearly describe the difference.
Finally, there are patterns marked ESSAI for the 1950 10, 20 and 50 francs, the 1951 20 francs, the 1952 50 francs and the 1954 100 francs, as well as piedforts. These were presentation pieces and never entered circulation.
Coins not to confuse them with
The 10 and 20 centimes with Lagriffoul's Marianne, issued from 1962 in a yellow alloy, reuse the sizes of the 10 and 20 francs Guiraud (20 mm and 3 g, 23.5 mm and 4 g). The 50 centimes of the same series is slightly smaller than the 50 francs (25 mm and 7 g). The date and the different portrait settle the matter. Likewise, the nickel 1 franc Semeuse of 1960 matches the Cochet 100 francs in size, at 24 mm and 6 g, but it carries Oscar Roty's sower rather than the torch-bearing Marianne. These new franc coins are covered in the section on francs from 1960 to 2001.
Earlier, Pierre Turin's cupronickel 10 francs (1945-1949) are white, larger than the Guiraud 10 francs, and show ears of wheat on the reverse. Nor should a 1950 20 francs be called a four-feather coin after a quick count: only the combination of signature, mint and feathers places it. With the rare dates, watch out for tampering: an added letter or an altered digit shows up under a magnifier as a patch of different surface around the detail.
Grading these coins
Aluminium bronze wears quickly and picks up brown or greenish stains that will not come off. On the Guiraud coins, look first at Marianne's cheek and hair, then the headdress. On the reverse, the cockerel's breast, comb and tail feathers flatten first: on a heavily worn coin the feather veins vanish, which makes counting the feathers on the 1950 20 francs harder.
On the Cochet, Marianne's cheek, the cap and the torch flame are the high points; on the reverse, the grains of wheat and the olives blur with wear. Cupronickel stands up better, but it scratches easily.
Some examples survive in mint state, with their original lustre. Rubbing them to make them shine leaves permanent fine scratches: the guide to cleaning a coin explains why you should not, and the grading scale is set out in grades of preservation.